Ginevra Ludovici (Roma, 1992) è curatrice indipendente e dottoranda di ricerca in Analysis and Management of Cultural Heritage presso la Scuola IMT Alti Studi Lucca dove sta portando avanti il progetto di tesi “Self-initiated institutions: the case of artists-run educational platforms”. Negli ultimi anni ha collaborato con diverse istituzioni, tra cui il MoMA - The Museum of Modern Art (New York), Carpe Diem Arte e Pesquisa (Lisbona), Centro di Ricerca ASK – Art, Science, Knowledge (Milano), Lateral (Roma), Real Academia de España (Roma), Fondazione Giuliani (Rome), MACTE - Museo di Arte Contemporanea Termoli e Galerija Remont (Belgrado). I suoi scritti sono apparsi in pubblicazioni accademiche, come Arte e Spazio Pubblico (Silvana Editoriale), Another Artworld. Pursuing New Organizational Modes (Atropos Press) e On the Question of Exhibition v. 3 (PARSE – Platform for Artistic Research Sweden), e riviste di settore, come NERO editions, e-flux, roots§routes e Made in Mind. Inoltre, ha curato la traduzione in italiano dei testi Education for Socially Engaged Art di Pablo Helguera e Joseph Beuys di Claudia Mesch per Postmedia Books. Nel 2022 è stata visiting scholar presso HDK – Valand, Academy of Art and Design, all'Università di Göteborg. Nel 2023 è stata coordinatrice scientifica della Summer School “Dissonances. Re-interpreting and re-assessing difficult heritage” presso la Scuola IMT Alti Studi Lucca e curatrice in residenza presso il CAR – Centro de Acercamiento a lo Rural, spazio madrileno di INLAND Campo Adentro.  Nel 2024 ha co-curato la mostra collettiva “Ersilia. Praticare l’Altrove” al Museo MACTE e ha ricevuto la borsa di studio per il sostegno a progetti internazionali di ricerca da parte dell’Italian Council (13ª edizione, 2024-2025), promosso dal Ministero della Cultura italiano. Attualmente è coordinatrice del Capitolo Italiano presso l’Association for Critical Heritage Studies. È co-fondatrice del collettivo multidisciplinare CampoBase.

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Ginevra Ludovici (Rome, 1992) is independent curator and Ph.D. candidate in Analysis and Management of Cultural Heritage at Scuola IMT Alti Studi Lucca where she is conducting a research titled “Self-initiated institutions: the case of artists-run educational platforms”. In the last years, she has collaborated with various institutions, such as MoMA - The Museum of Modern Art (New York), Carpe Diem Arte e Pesquisa (Lisbon), ASK - Art, Science, Knowledge Research Centre (Milan), Lateral (Rome), Real Academia de España (Rome), Fondazione Giuliani (Rome), MACTE - Museo di Arte Contemporanea Termoli (Termoli) and Remont Gallery (Belgrade). Her writings have appeared in academic publications, such as Arte e Spazio Pubblico (Silvana Editoriale), Another Artworld. Pursuing New Organizational Modes (Atropos Press) and On the Question of Exhibition v. 3 (PARSE – Platform for Artistic Research Sweden), and sector magazines, such as NERO editions, e-flux, roots§routes and Made in Mind. Furthermore, she translated the texts Education for Socially Engaged Art by Pablo Helguera and Joseph Beuys by Claudia Mesch into Italian for Postmedia Books. In 2022, she was a visiting scholar at HDK – Valand, Academy of Art and Design, at the University of Gothenburg. In 2023, she was scientific coordinator of the Summer School “Dissonances. Re-interpreting and re-assessing difficult heritage” at the IMT School of Advanced Studies Lucca and curator in residence at the CAR – Centro de Acercamiento a lo Rural, the space in Madrid of INLAND Campo Adentro. In 2024, she co-curated the group exhibition “Ersilia. Praticare l’Altrove” at MACTE museum and and received the Italian Council International Research Grant (13th Edition, 2024-2025), sponsored by the Italian Ministry of Culture. She is currently coordinator of the Italian Chapter at the Association for Critical Heritage Studies. She is co-founder of the multidisciplinary collective CampoBase.